Tuesday, 31 August 2010

Update on assignments

Went to the Imax Cinema at the Science Centre (Toy Story 3D is fabulous) and took a few reccie shots of the BBC building with my new compact Panasonic Lumix camera. The colours of reflecting in the Clyde are wonderful and I intend to return with my SLR and tripod while the weather is so good.



Not so successful shooting the MTB race for Assignment 5. 300 mile round trip to a race at Wolftrax, Laggan on Sunday. Set off in glorious sunshine, arrived at the event in the rain, drove home in glorious sunshine . . . Forest location was not that photogenic and it doesn't help that my client 'Walkers Cycling' race in black and grey! Converting to b/w helps but I don't think any of my shots are strong enough for submission.

Monday, 23 August 2010

Ex12: Close and involved

This exercise considers using a wide angle lens, more commonly chosen for landscape photography, to expand the area captured and to create involvement. Shooting at around 28mm in close proximity of people effectively brings the viewer into the picture, making them part of the activity.

The technique, know as 'subjective camera' is also common in film making, the idea being to put the camera in the place of the viewer, recording the scene from their viewpoint. The opposite technique 'objective camera' has the viewer observing from the sidelines — an onlooker capturing the image. An example would be the view a car driver has of the road as opposed to watching the car passing by from the roadside.

I decided to try this exercise at the weekend when 18 members of my walking club were staying in a small cottage. These gatherings are very sociable so I hoped to capture some close and involved images. I kept my zoom lens at 18mm (approx 26mm equivalent) and fired away. I used 400 ISO as I was shooting in low light and hoped to avoid using on-camera flash, since I would be so close to my subjects.


Afternoon in the cottage. A much wider scene is captured using 18mm, giving a good overview of the surroundings.


In the queue to get dinner. I like the way the wide angle captures the scene but being so close you can't control unwanted item, such as a wooden spoon, from popping into the shot.


Looking at this picture I feel I am in the queue for the food (which indeed I was!)


I positioned myself at the same level as the diners to give the sense of sitting at the table with them.


I think the same scene from standing becomes more objective and less involved.


Staying seated to take the pictures kept a sense of involvement. Having the camera with me all night meant people got used to seeing it and relaxed — a glass of wine or 2 may have also helped with this! Not aiming the camera directly at them also helped and it's interesting to note that the people sitting opposite me were much more aware of the camera and posed accordingly (see below)



The ladies didn't notice me holding the camera down low resulting in a more candid picture.

Perhaps I cheated slightly with this exercise, chosing to work in a comfortable situation with people I know. I don't think I have a set of particularly strong images but think using a wide-angle approach could produce some interesting images given a bit of thought and practise. I also think I would have struggled to attempt this out on the street but will give it a try next visit to town.

Some of the difficulties with this technique:
  • working very close to people they either avoid the camera or pose
  • candid close-ups may not be flattering
  • distracting objects creep into the frame
  • could make you feel very uncomfortable photographing strangers
Advantages:
  • real sense of being part of the action
  • wide angle takes in more of the scene
  • could be used to great effect if controlled

Wednesday, 18 August 2010

ASSIGNMENT 5: PEOPLE AND PLACE ON ASSIGNMENT

Have approached Walkers Cycling to be my client for this final assignment. I have known the Walkers for several years and feel quite comfortable with the idea of building a brief around their cycle shop and bike club. Knowing some of the staff and club members should hopefully make me more confident and comfortable about getting the shots I want. My intention is to shoot in the shop and on location with a deadline of mid Oct. The cycle racing season is almost over so some shots have to be taken in the next few weeks or not all.

After an initial discussion with Susan Walker I have drawn up an initial list of proposed shots for them to consider. She would like a range of images that can be used on their website and in promotional literature.

1 Staff at shopfront
2 Staff portrait with their favourite bike
3 Staff line-up
4 Staff profile pics
5 Workshop, mechanic working on bike
6 Customer in shop
7 Neil Walker coaching/training a cyclist
8 Commuting folding bike being put on train or bus
9 Child cycling (Finlay?)
10 MTB race (Wolftrax end Aug)
11 Cyclocross training (Thurs eve at Irvine)
12 Clubrun
13 Close-up of rider in Walkers Cycling Club clothing
14 Female rider/s (Anna/Julie?)

Once the shots have been established I will need to coordinate dates and times that fit around my college committments and shop hours. Consideration will need to be given to equipment, locations and style of shots required. I will revisit techniques learned throughout the course to ensure a wide variety of approaches are attempted.